Remember a few years ago when the Taliban blew up the Buddhas of Bamiyana at the foot of cliffs in central Afghanistan, committing an act of cultural vandalism on the two tallest Buddhas in the world which had stood for more than 1,500 years ? Their destruction was part of its campaign to destroy pre-Islamic artifacts considered an assault on Islam.

 The Buddhas were Afghanistan’s most famous tourist attraction.

The world, including Muslim countries, had objected when the impending action was made known.

How about the time when the Islamic State of Iraq and the Levant (ISIS) destroyed Assyrian statues and artifacts believed to be 3000 years old?

There was near universal outrage.

And that time al Qaeda destroyed 15th century shrines in the ancient Malian city of Timbuktu, which was called an attack on humanity and a possible war crime?

Or people going ballistic when a video of Takfiri militants of the al-Qaeda-linked an-Nusra Front desecrating a small statue of Mary, mother of Jesus, in northwestern Syria went viral?

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Add to those the Mosque of the Prophet Yunus, one of the most important mosques in Mosul, blown up by Islamic State in July 2014; the Adad and Mashqi Gates of the ancient Assyrian city of Nineveh destroyed by Islamic State in early 2015; Krak des Chavaliers, one of the most well-preserved castles in the world, inhabited by Kurdish troops in the 11th century, shelled during the Syrian Civil War in 2012, and was further damaged by airstrikes in 2013; the Lion of Al-Lāt statue in the ancient city of Palmyra destroyed by the Islamic State In June 2015; and the ancient Iraqi city of Hatra, built in the 2nd and 3rd centuries destroyed by Islamic State militants in March 2015.

These were all seen as war crimes and assaults on culture because these gates, mosques, statues, and other artifacts were not part of any military actions, and exist now only in pictures and will not be seen otherwise by all future generations.

The 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict, created in the aftermath of World War II, made it a war crime to target cultural sites, and states,

“Damage to cultural property belonging to any people whatsoever means damage to the cultural heritage of all mankind.”

After the killing of Qasem Soleimani and Iran’s announcement of retaliation, Trump crowed,

“Let this serve as a WARNING that if Iran strikes any Americans, or American assets, we have targeted 52 Iranian sites (representing the 52 American hostages taken by Iran many years ago), some at a very high level & important to Iran & the Iranian culture, and those targets, and Iran itself, WILL BE HIT VERY FAST.”

He announced he intended to commit a crime, actually 52 of them.